First readthrough and discussions.
Bend a gender
Adapting the words
Is Rosalind great? Yes. Why?
Adam – dead?
Self-sacrifice
Soliloquy (or lack of)
Absent wives and mothers
Celia’s journey
Philosophy
All the world’s a stage – characters playing parts
The import of the seasons
3.2 Touchstone vs Corin
1.1 Oliver and Charles
The Forest of Arden – wtf?
1.1 & 1.2
‘Rosalind is Shakespeare’s most complete woman.’ And ‘touchstone Shakespeare’s new fool.’ But what makes a Shakespearean comedy tick? And how do we go about playing it? This masterclass will dissect ‘Shakespearean comedy’ and hone in on the world of Rosalind and the fools around her.